Santa Fe Indian Market month - lots of fun events! Form & Fiber CANCELLED ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
Española Valley Fiber Art Center

August 2025

✨ Congratulations to July & August’s Artist of the Month LEIGH ALEXANDER! ✨

✨ Saturday August 9th - 12-3pm Spinning Adventures. All spindles and fibers welcome!

✨ Sunday August 17th - 12-3pm Rigid Heddle Support Group. All little looms welcome!

✨ OUR PHONES ARE DOWN UNTIL AUGUST 14TH. We’re in the process of re-configuring our phone and internet service. We apologize for the inconvenience.

Please direct your inquiries to the following emails:

Donations & Retail - Debbie Harris - info@evfac.org

Education - Pando Speer - education@evfac.org

Special Programs, Grants, Payments & Operations - Kim Zitzow - director@evfac.org

✨ Form & Fiber was cancelled due to lack of participation. Continue reading for results of our recent survey regarding shows & events, and visit our events page for more details.

At EVFAC

Form & Fiber

August 2025

CANCELLED

Unfortunately Form & Fiber - a show that was scheduled at the DeVargas Center for August 2025, will be cancelled. We did not have the member participation we needed to move forward.

We're committed to offering two successful member shows annually -- our Fall Fiber Fiesta is thriving going into its 13th year, and we want to create (or bring back!) an equally successful second show for EVFAC members.

To help us plan future shows that truly serve our membership, we've put together a survey in order to understand what makes our events most successful and appealing to participants.

Here is some of the feedback we received that we’ll be evaluating: 

APPLICATION PROCESS:

The application process was generally efficient. Several areas for improvement were identified:

- Request to prioritize artistic quality and merit over involvement with EVFAC in jury evaluation process. 

- Need for comprehensive guidelines to help applicants understand requirements and expectations

- Earlier notification of application deadlines 

- Physical posting of application details on the Community Board at EVFAC would improve accessibility

- Clarification regarding whether EVFAC will have designated community tables at events

COST:

Participants found the event fees reasonable given the staff support and networking opportunities provided. However, concerns were raised that recent membership fee increases have made overall participation costs higher, as membership is required to participate in shows.

LOCATION:

The Scottish Rite Temple received positive feedback as a venue, with participants noting its aesthetic appeal, efficiency in setup and breakdown, and good security. 

DeVargas Mall received mixed results as a venue. Challenges included its big retail environment, where people coming in might not be at all anticipating or looking for handmade goods, and security restrictions requiring setup and breakdown of displays increasing the workload for participants. 

SCHEDULING:

If the application opened in March or April for an August show, this would be ideal for giving people enough time to plan. 

OTHER COMMENTS:

Professional full-time studio artists face scheduling challenges in meeting EVFAC participation requirements due to their dedication to their craft and studio commitments. The current participation structure may not accommodate the time constraints of career artists who are fully engaged in their artistic practice.

Additionally, participants expressed a need for varied booth size options to better accommodate different types of artwork displays and presentation needs.

We'd love your insights on what elements you value most in EVFAC shows. If you haven’t had a chance to fill out the survey but would like to, follow the link below.

Your feedback will help us design future shows that better meet your needs and interests as fiber artists. 

 SHOWS & EVENTS SURVEY 

Artist of the Month:

LEIGH ALEXANDER

Leigh Alexander is an award-winning master weaver who has traveled the world to explore and learn textile techniques. She began weaving when she was 11 and continues to expand her repertoire of techniques. She lived in Finland for a year working in a spinning mill and in Thailand for several years working with the silk weavers. A graduate from the School of the Art Institute of Chicago, Leigh has worked for such well-known textile designers as Jack Lenore Larsen and j.morgan puett in NYC and Putumayo in Charleston, SC. as a production weaver, dyer, cutter, colorist, designers' consultant, housewares designer, production manager and assistant designer.

Leigh has had her own weaving business since 1999, designing and producing household textiles. She ran Heritage Blankets for 4 years, and now serves as Treasurer of the Board of the Espanola Valley Fiber Arts Center. She continues to show occasionally and weave custom orders.

* * *

You can view Leigh's Artist of the Month display Thursdays, Fridays, and Saturdays from 10am-5pm or visit the AOTM collection online. 

Around Town

AUGUST 8TH -11TH

AUGUST 13TH -17TH

AUGUST 16TH

Join artist Maggie Thompson (Fond du Lac Ojibwe) in conversation with independent curator and writer Shandiin Brown (Diné) as they discuss Interactions, Thompson’s first institutional solo exhibition, curated by Erin Robideaux Gleeson. Thompson will share insights into her use of fiber, beadwork, and garment-based art to confront structural violence and foster healing and Native solidarity. The conversation will also delve into the influence of Indigenous feminist practices throughout her work.

The IAIA Museum of Contemporary Native Arts (MoCNA) proudly presents Maggie Thompson: Interactions, a solo exhibition of recent works by Maggie Thompson (Fond du Lac Ojibwe). Thompson’s groundbreaking practice expands the possibilities of textile-based media through personal, social, and political inquiry.

Drawing on Ojibwe traditions and contemporary lived experiences, she weaves together complex narratives of personal and collective resistance, resilience, and healing.

As her first institutional solo, Interactions brings together four new works addressing topics from structural violence and addiction to solidarity and community care. Thompson addresses themes ranging from psychological abuse and addiction to recovery. While The Hospital Gown Project (2025) and I Can’t Breathe (2024–2025) transform familiar garments to participatory works, F**k This (2025) earrings and Tug-of-War (2025) sculptures confront oppressive political and social hierarchies.

Interactions debuts the first sculpture from The Hospital Gown Project: a patchwork garment with swatches beaded by individuals impacted by addiction within their families and communities, transformed into a powerful object of collective reflection and solidarity.

Another key work is I Can’t Breathe. In 2020, Thompson extended her COVID-19 ribbon mask by screenprinting George Floyd’s final words onto face masks, distributed during protests. She later repurposed the remaining fabric into fancy shawls, preserving the memory of Floyd and expressing Native solidarity with broader racial justice movements.

In Tug-of-War, Thompson covers ropes with red and white beads depicting remarks directed at her, confronting lateral violence and the impact of blood quantum policies, inviting dialogue around inclusion and identity.

A pair of peyote-stitch beaded earrings reimagines the U.S. flag as text wrapped around tampons. Referencing the flag’s legacy in Native art, Thompson describes the piece as “an act of resistance and a way to maintain cultural practices during times of conflict with the government.”

A graduate of the Rhode Island School of Design, Thompson’s work is included in major museum collections nationwide. The exhibition is curated by Erin Robideaux Gleeson and supported by Bockley Gallery and the Chicago Woodman Foundation.

AUGUST 15TH -17TH

AUGUST 23RD

Pop-Up Event

Saturday Aug 23, 10am-1pm

208 Grant Ave, Santa Fe

As we did in 2023, First Presbyterian is collecting items for the Navajo Quilt Project. The last collection was such a success it required two trucks to take the items to the Sheep Springs Chapter House on the Navajo Nation.

There are a number of sewing and quilting groups under the supervision of Susan Hudson, an award-winning Dine artist and quilter who will use these supplies to make warm quilts for needy elders in their communities.

Throughout the summer we will be gathering fabric, quilting supplies and finished quilts to donate. Please bring clean fabric (minimum of 1/4 yard), thread, rulers, quilt batting, ribbons, and functional new or used sewing machines to the church and place them in the coat close. A box will be there and marked for your smaller donations. This is a perfect opportunity for you quilters and crafters to destash!

We will also welcome monetary donations to be used to purchase additional items for the Navajo quilters. To make a monetary donation, bring or mail a check to our church with “Navajo Quilt Project” in the memo line, or make a donation in our online special donation page, specifying “Navajo Quilt Project.”

If you miss this event, we will continue to collect items at the church on Grant Avenue until September.

 

JUNE 2025 - JULY 2026

Museum of International Folk Art, Santa Fe

Appearances Deceive: Embroideries by Policarpio Valencia

Born in Santo Niño, New Mexico in 1853, Policarpio Valencia lived his life as a farmer, salt trader, mill operator, mayordomo and Justice of the Peace in Rio Arriba County. In his later years, Valencia began repurposing used household textiles and clothing, adorning them with intricate embroidery and messages written in the Spanish of northern New Mexico.

Appearances Deceive is the first retrospective of Policarpio Valencia’s work. Each embroidered piece contemplates the serious subjects of mortality, and spirituality with wit and whimsy.

 

As a 501(c)3 organization, EVFAC strives to balance professional, living-wage compensation for our teaching artists with affordable class prices, scholarships, and free youth programs that serve our local community. Through grants and crucial member-donor support, we maintain this vital balance. Your continued generosity makes our mission possible.

Donate today!

 DONATE 
Española Valley Fiber Art Center
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325 Paseo de Oñate
Española, New Mexico
United States

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